Standing on a snow-covered street in the suburbs of Mexico
City, hoping our fake snow doesn’t melt. |
Wilma Gomez, our beautiful focus puller, who could hold
a focus at a mile a way and still be sharp, measures Mr.
Kinnear and I for our “two shot”. |
Practicing my moody look #1 |
Moody look #2 -the actor prepares |
|
Greg Kinnear and I take Hope Davis out for dinner her
first night in Mexico City. |
Our day off. |
Beau, Amanda and I on a day off at the canals in Xochimilco.
|
Rick Provenzano and Bron Roylance, two of my oldest mates.
We've worked together since the early days of Remington
Steel. |
The brothers Bryan and Sean Furst are producing partners
on the film. Beau Marie, our line producer Adam Merims
and I have to say thanks to Brian and Sean for bringing
us this material. And thanks to Adam who saved the day
at the 11th hour and made this film feel like a walk in
the park for us all. |
The 'we finished the movie' dance. Bryan Furst, Amanda
Scarano, Sean Furst, Beau St. Clair, Pierce and Adam Merims.
|
Beau Marie, Richard Fox (our first AD) and I. Richard
did a great job on a tight schedule with many moves and
hard locations. Top man! |
David Tattersall, whom I had worked with on “Die
Another Day” and who gave of himself to this great
adventure. He made us all feel better about ourselves
each day at work. |
All smiles and fond memories in a great place called Mexico
City, but it is time to say goodbye…our last day
of shooting. |
Richard Shepard (who wrote and directed the Matador) and
I became friends quickly. And, I’m happy to say
we remained friends throughout filming and after the filming.
He was relentless in his passion for the film every moment
of each day we worked together. |
Paging Mr. Noble |
Pierce with Amanda Scarano of Irish DreamTime |
|
